Museum At The Fashion Institute Of Technology (Fit)

The Fashion Institute of Technology (Match) is New York’s celebrated urban college for inventive and enterprise talent. Dr. Ansgar Buschmann, serves as a Post-Doc at the Center of Management, University of Muenster, Germany, where he received his Ph.D. for his analysis in the area of Multi-Channel-Management in the fashion sector. As connected researcher of the FATM, the only analysis institute which interlinks Style and Management on University level in Germany, he researches on the evolution of Enterprise Models and company development with a unique concentrate in the style sector.

He founded and advises many organizations specifically linked to the influence of social media in the style sector and mass customization. 5 appearances for the International Foundation of Style Technology Institute’s (IFFTI) annual conference. With Nancy Deihl of New York University, Daniel is the co-author of The History of Modern day Style published by Laurence King, London, in 2015.

Jennifer Craven is an instructor of style merchandising at Mercyhurst University in Erie, Pa. Her primary locations of Teaching contain Textiles, Product Line Improvement, and fashion-related communication abilities like public speaking and journalism. She is also working toward publishing her co-authored book, A Visual Guide to Fashion and Styling. She is currently a curatorial intern at the Morris Jumel Mansion and has worked and interned at the Museum at Match as nicely as the Hispanic Society of America. An internship at a top style house offers you knowledge and beneficial connections.

Joy Davis received a B.A. in History and Media Research from the University of Baltimore County and is at the moment functioning on her existing graduate thesis for the Fashion and Textile, Theory and Practice system at the Fashion Institute of Technology. His thesis focuses on the exchanges between fashion and modern art, especially as such exchanges take place at guerrilla stores, related to the Comme des Garçons’ retailers. For more than five years, he was a organization companion in a trend forecast fashion start up in São Paulo focused on the Brazilian fashion sector. Presently he has been working as an independent style and culture forecaster.

His analysis interests include contemporary visual culture, male fashion, and style design. He also has training in fashion style, and his very first ever exhibition as curator took place last June. A fashion and textile historian, Nancy Deihl is the director of the Costume Studies M.A. system at New York University. Deihl specializes in the history of fashion from 1850 to the present and teaches courses in the history of style and textiles, the literature of fashion, study methodologies, and problems in contemporary dress.