Fashion Institute Of Technology (Fit), State University Of New York

Profile: Fit is an internationally recognized college for design, style, art, communications, and company. Theory by Berg Publishers in London, and in 2009, that identical article was published in the book entitled The Men’s Fashion Reader by Peter McNeil and Vicki Karaminas. There he is linked to the Common and Textile Business Study Institute called FATM, the oldest research unit for the company, textile and style in Germany. Arielle Dorlester is the Assistant for Archival Processing in the Archives at The Metropolitan Museum of Art.

His articles have been published in the University of Pennsylvania Law Assessment Online, the Harvard Journal of Law and Technologies Digest, and Vestoj: The Journal of Sartorial Matters, among other periodicals. In addition to his academic pursuits, Charles handles legal matters for higher-profile art, media, and style clientele by means of his firm, Charles Colman Law, PLLC. His present investigation examines the rise of body image insecurities in male style shoppers.

From 2010 to 2013, Charles was the Co-Chair of the American Bar Association’s Fashion Style Legislation Subcommittee in 2011, he sponsored the creation of a new Style Law Committee at the New York City Bar Association. She is element of a 27 month project, set to be completed in Could 2015, funded by the Leon Levy Foundation to process 14 collections of institutional records of directors, curators, and programs as effectively as the comprehensive records of the Costume Institute.

Arielle received her MLIS with certificates in Archives and Museum Librarianship from Pratt Institute in 2010 and has previously worked at the Frick Art Reference Library. With her in depth expertise in design and style, art and fashion history, she spins the seasonal story with rich cultural content and context, in order to inspire design and style innovation and drive compelling communication.

Janice has a Masters degree from the Royal College of Art and has worked extensively in the New York fashion business as a textile designer and stylist, studio art director, and trend forecaster for apparel, residence merchandise and cosmetics for more than 30 years. Given that the 1990s she has been involved in the vintage organization promoting swatches and clothes to the fashion markets in NYC, London, Japan and Australia and renting textile pieces for set styles.